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Bradantia Directory 01
Page 08
Lucas Cranach (1472-1553) was a Franconian master, who settled in Saxony and was successively court-painter to three Electors and the leader of a small local school there. He, perhaps, studied under Gruenewald, but was so positive a character that he showed no strong school influence. His work was fantastic, odd in conception and execution, sometimes ludicrous, and always archaic-looking. His type was rather strained in proportions, not always well drawn, but graceful even when not truthful. This type was carried into all his works, and finally became a mannerism with him. In subject he was religious, mythological, romantic, pastoral, with a preference for the nude figure. In coloring he was at first golden, then brown, and finally cold and sombre. The lack of aerial perspective and shadow masses gave his work a queer look, and he was never much of a brushman. His pictures were typical of the time and country, and for that and for their strong individuality they are ranked among the most interesting paintings of the German school. Perhaps his most satisfactory works are his portraits. Lucas Cranach the Younger (1515-1586) was the best of the elder Cranach's pupils. Many of his pictures are attributed to his father. He followed the elder closely, but was a weaker man, with a smoother brush and a more rosy color. Though there were many pupils the school did not go beyond the Cranach family. It began with the father and died with the son.
As soon as the building operations are fully completed, the eager little householder sallies forth into his pond or brook in search of a mate who will come and stock his neatly-built home for him. At this stage of the proceedings, his wedding-garment becomes even more brilliant and glancing than ever; he gleams in silver and changeful gems; when he finds his lady-love, he dances round her, "mad with excitement," as Darwin well phrased it, looking his handsomest and best with his lustrous colours glistening like an opal. If she will listen to his suit, he grows wild with delight, and coaxes her into the nest with most affectionate endearments. In No. 2, as you perceive, the mate of his choice has been induced to enter, and is laying her eggs in the dainty home his care has provided for her. The father fish, meanwhile dances and capers around, in a _pas de triomphe_ at the success of his endeavors.
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