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Bradantia Directory 03
The fifth chapel represents the birth of the Virgin. Having obtained permission to go inside it, I found the date 1715 cut large and deep on the back of one figure before baking, and I imagine that this date covers the whole. There is a Queen Anne feeling throughout the composition, and if we were told that the sculptor and Francis Bird, sculptor of the statue in front of St. Paul's Cathedral, had studied under the same master, we could very well believe it. The apartment in which the Virgin was born is spacious, and in striking contrast to the one in which she herself gave birth to the Redeemer. St. Anne occupies the centre of the composition, in an enormous bed; on her right there is a lady of the George Cruikshank style of beauty, and on the left an older person. Both are gesticulating and impressing upon St. Anne the enormous obligation she has just conferred upon mankind; they seem also to be imploring her not to overtax her strength, but, strange to say, they are giving her neither flowers nor anything to eat and drink. I know no other birth of the Virgin in which St. Anne wants so little keeping up.
The Gibbons appear to be naturally very gentle, but there is very good evidence that they will bite severely when irritated, a female _Hylobates agilis_ having so severely lacerated one man with her long canines that he died; while she had injured others so much that, by way of precaution, these formidable teeth had been filed down; but if threatened she would still turn on her keeper. The Gibbons eat insects, but appear generally to avoid animal food. A Siamang, however, was seen by Mr. Bennett to seize and devour greedily a live lizard. They commonly drink by dipping their fingers in the liquid and then licking them. It is asserted that they sleep in a sitting posture.
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